Frieze Domitius-Ara (Thiasos)
- Title:
- Frieze Domitius-Ara (Thiasos)
- Collection:
- Cornell Cast Collection
- Creator:
- Unknown
- Photographer:
- Alexandridis, Annetta
- Date:
- ca. 1890-1900
late 2nd to early 1st c. BCE
2008 (image)
- Site:
- Rome, Italy (original)
- Location:
- Warehouse
Rome, Italy (original) - ID Number:
- CCC_0022
- Accession Number:
- Sage no. 289
22 - File Name:
- CCC_0022.tif
- Original Measurements:
- 78 (H) cm
- Culture:
- Roman
- Style/Period:
- Roman Republican
- Work Type:
- casts (sculpture)
- Materials/Techniques:
- plaster cast (sculpture)
marble sculpture in relief (original) - Subject:
- Nereids (Greek mythology)
- Image View Type:
- overall
- Image View Description:
- from front
- Measurement:
- 76.2 x 119.4 x 38.1 (centimeters, height x width x diameter)
- Description:
- This is a cast panel of a section of the marine thiasos relief from the so-called Altar of Domitius Ahenobarbus, housed in Munich. Overall, the scene depicts the wedding of Neptune and Amphitrite, and is populated by tritons, nereids, and a number of sea creatures. The relief series formed part of a rectangular sculpture base that has been associated with a sculptural group that stood in the Temple of Neptune in Rome. This cast panel belongs at the viewer's far left of the long side of the rectangular base. Here, a fully draped nereid sits backwards in a reclining pose, riding a taurocamp. Her body is shown in three-quarter pose facing the viewer's left and she turns her head to look right. She holds a rectangular box up with both hands, a gift for the newly married couple. The muscular taurocamp faces right and swims ahead with his front legs. He has acanthus-like fins trailing behind his upper legs. His snaky tail curls behind him. Large fragments are broken away and missing from the upper half of the cast panel, particularly at the right and left corners. The upper part of the taurocamp's horn that is rendered in the round is broken away and the horn in relief is missing entirely. ID no. 161, a fragment preserving the upper part of a pillar and a fin from the taurocamp's tail, belongs at the left corner of this panel. All marine thiasos cast panels are accounted for in Cornell's cast collection. The sculptors of this scene appear to have drawn inspiration from the reliefs of the Altar of Zeus at Pergamon. Another multi-panel relief from this base depicts a military census and a suovetaurilia (the sacrifice of a pig, ram, and bull) and is among the earliest of preserved Roman historical reliefs. It is held in the Louvre (Ma 975).
- Notes:
- Items in the Cornell Cast Collection are meant for inventory and reference purposes. Metadata may not be complete in all cases.
no. 239 - Bibliography:
- Florian Stilp, Mariage et Suovetaurilia: Etude sur le soi-disant 'Autel de Domitius Ahenobarbus' (Rome: Giorgio Bretschneider, 2001)
Heinz Kähler, Seethiasos und Census. Monumenta Artis Romanae. (Berlin: Verlag Gebr. Mann, 1966)
Nancy H. Ramage and Andrew Ramage, Roman Art, 3rd ed. (London: Laurence King Publishing, 2000), 75-76
online catalog at www.louvre.fr - Related Work:
- Belongs with ID no. 161, which is the upper left (viewer's) corner.
- Repository:
- Cornell University (current)
Munich, Glyptothek (original) - Collecting Program:
- Cornell Collections of Antiquities
- Format:
- Image
- Rights:
- The images in the Cornell Collection of Antiquities: Casts are protected by copyright, and the copyright holders are their creators, generally Cornell University Library, Annetta Alexandridis, and Verity Platt. This collection of plaster casts owned by Cornell University was photographed by Cornell University Library, Alexandridis, Platt, and Andreya L. Mihaloew from 2010-2015, with funding from a Digital Collections in Arts and Sciences Grant to Annetta Alexandridis. Cornell is providing access to the materials for research and personal use. The written permission of any copyright and other rights holders is required for distribution, reproduction, or other use that extends beyond what is authorized by fair use and other statutory exemptions. Responsibility for making an independent legal assessment of an item and securing any necessary permissions ultimately rests with persons desiring to use the item. Please contact Annetta Alexandridis and Verity Platt for more information about this collection, or to request permission to use these images.